Sonya Sklaroff (American, b. 1970, Philadelphia, PA, USA, based New York, NY, USA) - Last Light Empire State, Paintings: Oil on Panel
Wei Jia (Chinese, b. 1975), YOUTH SURVIVOR OF A BYGONE AGE, 2016. Oil on canvas, 190 x 270 cm
James Rosenquist - Time Door Time D'Or, from Welcome to the Water Planet, 1989, pressed paper pulp in colors with lithographic collage, 2451 x 3048 mm
Yayoi Kusama aka 草間彌生 aka Kusama Yayoi (Japanese, b. 1929, b. Matsumoto City, Nagano Prefecture, Japan) - The Sea in the Evening Glow (Facing the Imminent Death), 1988, Paintings: Acrylic on Canvas
London Evening - Stefan Bleekrode , 2015.
Dutch, b. 1986 -
Oil on canvas , 50 x 40 cm.
View from the Underground late in the evening.
Gustave Doré (French, 1832-1883), Study of Birds, 1868-71. Watercolor on paper, 43.18 x 29.845 cm
John Frederick Peto (American, 1854-1907), Hard Candy. Oil on academy board, 15.6 x 23.5 cm.
Curry Club - Kathy Tynan , 2017.
Irish , b. 1984 -
Oil on canvas, 59 x 84cm.
Kathy Tynan (Irish, 1984), Curry Club, 2017. Oil on canvas, 59 x 84 cm.
“In Janet Cardiff and George Bures Miller’s The Murder of Crows (2008), the effect of sculptural sound is further magnified and clearly evokes a cinematic situation. The audience sits, absorbed in theatrical fashion, listening to a polyphony of sounds that emerge from ninety-eight speakers mounted on chairs, stands, and walls. Here, the audience watches sound, as if it were a screen, immersed in a temporal experience of public intimacy.”
–Giuliana Bruno, Surface: Matters of Aesthetics, Materiality, and Media
We looked at the artist Janet Cardiff for inspiration i loved this peace she made with George Miller and thought it could be inspiring in the way the lay out of the space we were inn, the speakers and the visual element of it we could do something similar i love how audience are part of the work and can choose to sit in the work or mover around it its interesting to see how people interact with the individual sounds in there own ways.
-G















